Day 3 – Training / Creation

From artistic training, to the process of creating a digital work

Round table #1 – Training
From 11 a.m. to 1 p.m.

Speakers
– Jean-François Jégo, lecturer ATI University of Paris 8
– Pascale Pronnier, head of artistic programming at the Ferrons
– Others (in confirmation) Issues
What are the possible training courses to create an animated, digital or immersive work? What are the paths and support for artists and animators in digital creation? _________________

Round table #2 – Creation
From 2:30 pm to 4:30 pm

Speakers
– Boris Labbé, artist
– Danièle Ghisi, music
composer- Jeanne Susplugas, artist

– Others (in confirmation) Issues
What are the creative processes of artists who navigate around different mediums, including the exploration of drawing and its digital expression? What artistic collaborations are emerging? _________________

New Media Meetings

The exhibition Ito Meikyū / Fil d’errance, proposes to follow a continuous and impalpable thread between the works of Boris Labbé, which, like a labyrinthine path in his mind, takes the viewer into a loop, from drawing to virtual reality… and from virtual reality to drawing. Words become lists, drawings become collections, their spatial arrangements become construction and then deconstruction, and their multiplications become movement and repetition. Around this question of New Media.iums proposed by the Drawing Lab, we question in this exhibition, the spatial arrangement of different mediums: from drawing, screen printing, animation on television, to virtual reality with headset, and to the questioning of the virtual in a wooden sculpture. The challenge is to harmonize each representation: there is no hierarchy, but a path between digital and non-digital works, which respond to and complement each other.

Echoing the exhibition and the challenges of presenting new digital mediums, we are offering 3 days of round tables bringing together artists and professionals in the field. Several topics will be addressed, allowing for the cross-fertilization of complementary reflections, on different axes: from production to audiovisual and artistic distribution, from curatorship to the conservation of digital works, or from artistic training, to the process of creating a work.